There are not many stage directors in the world who, in the space of six months, have directed Wagner’s “Die Meistersinger von Nürnberg,” Debussy’s “Pelléas et Mélisande” and the musical, “Fiddler on the Roof.” But that is exactly how Barrie Kosky spent the second half of 2017. What’s more, this is a typical schedule for the energetic Melburnian.
Music Selections
Title: Eine Frau, die weiß, was sie will Composer: Oscar Strauß Recording: Komische Oper Berlin 2015
Title: Pelleas et Melisande Composer: Claude Debussy Recording: Komische Oper Berlin 2017
Title: Ball im Savoy, Kangaru Composer: Paul Abraham Recording: Komische Oper Berlin 2013
There have been many highlights in Simone Young’s career. Alongside conducting most of the world’s great orchestras including the London and New York Philharmonic Orchestras, the City of Birmingham Symphony, and the BBC Symphony at the BBC Proms, she was also the first woman to conduct at the Vienna State Opera and the Vienna Philharmonic, two orchestras she regularly returns to conduct today.
Music Selections
Title: Brahms Symphonies 2,3 and 4 Composer: Brahms, Simone Young and the Hamburg Philharmonic Recording: OehmsClassics
Title: Symphony Nr 9 Composer: Bruckner, Simone Young and the Hamburg Philharmonic Recording: OehmsClassics
Title: Symphony Nr 2 Composer: Gustav Mahler Recording: Simone Young and the Hamburg Philharmonic, OehmsClassics
Title: Der Ring des Nibelungen Composer: Richard Wagner Recording: OehmsClassics
In two decades, the Brisbane-born musician Brett Dean has risen from being an orchestral violist who once wrote music on the side, to one of the world’s most celebrated composers.
Music Selections, all compositions by Brett Dean
Title:The Lost Art of Letter Writing – Violin Concerto Performers:Violin Frank Peter Zimmermann Boston Symphony Orchestra, conductor Markus Stenz
Title:Carlo (version for live chorus and strings) Performers:BBC Singers/BBC Symphony Orchestra
Title:Three Memorials for Orchestra & Between Moments (Music for Orchestra 2003) Performers:Queensland Youth Orchestra
Title:Pastoral Symphony Performers:Swedish Chamber Orchestra
Title:Hamlet Diffraction Performers:Allison Bell, soprano Allan Clayton, tenor BBC Symphony Orchestra, Conductor Joshua Weilerstein
Title:Wendezeit for five violas Performers:Brett Dean
*Many thanks to Boosey and Hawkes for their assistance in assembling this selection
iTunes
“There's no substitute for that very first moment when an idea is manifested. For me it's very important that everything's kind of born at the same moment because a song is words and music and I feel like they shouldn't be separated. That's my idea of a good creation!”
iTunes
“When I got into dance, I suddenly sort of combined this need to able to enjoy the physical challenge of encountering the world as a body along with the cognitive challenges of trying to say, well, what can I do with this body that I think is interesting or challenging.”
iTunes
“I have always tried to work out a way of coming up with a single image or analogy or a metaphor, that makes it really clear to a non-specialist, the phenomenon of hearing that piece of music”.
Music Selections
Chopin: 24 Preludes Cédric Tiberghien Chopin: 13 Preludes(from the 24 Preludes)Sviatoslav Richter Tokyo 1979 Bach JS: Prelude and Fugue No. 7 in E flat, BWV 852 – Well Tempered Clavier, Book I, Performed by Wanda Landowska, Harpsichord, 1949 Bach JS: Goldberg Variations –Harpsichord, Performed by Wanda Landowska (First Rec 1933)iTunes
Much of Peter Singer’s career has been devoted to social and political causes, most notably animal rights, but also famine and poverty relief, environmentalism and reproductive rights.
iTunes
Cathy Milliken has been an artist many young Australian musicians have looked up to when they have travelled abroad to continue their studies in Europe. A renowned oboist, composer and music educator, Cathy has held key positions with two of the world’s leading music ensembles, Ensemble Modern and the Berlin Philharmonic Orchestra.
Musical Excerpts
Title: The Yellow Shark, Frank Zappa Ensemble Modern Composer: Three Step, for horn, violin, cello (Cathy Milliken), Earth Plays I-IV Orchestral Work (Cathy Milliken) Recording: Spiral, for a soloist with a shortwave receiver, (Karlheinz Stockhausen) Trim (Cathy Milliken) Shifrorl (Cathy Milliken)
“ I mean it sounds (like a) cliché, but that was a phone call that changed my life completely,” said singer, Siobhan Stagg, recollecting the day the Berlin Philharmonic Orchestra called to ask her to perform “Brahms’s Requiem”.
Music Selections
Title: Bernstein: “Glitter and Be Gay”, from Candide (Bernstein) Deutsche Radio Philharmonie Kaiserslautern Saarbrucken, Conductor Daniel Smith (Siobhan Stagg, Soprano)
Title: “Requiem”, (Brahms) Berlin Philharmonic, Conductor Christian Thielemann (Soprano Siobhan Stagg)
In this episode we meet Heather Betts. The Sydney-born painter has been living in Berlin, apart from a few years, since 1984. Heather is a graduate of Sydney’s Fine Arts Institute, but she also studied viola at the Sydney Conservatorium of Music.
Over the next few weeks, “Tall Poppies: The Podcast,” will feature a series of 10 minute excerpts from archived interviews with renowned Australians. We are calling these, Tall Poppies Postcards. The first features the Australian poet, Robert Gray, who hails from the Australian state of New South Wales.
It was back in 2009 that I met with the Academy Award-winning animation writer, director and producer, Adam Elliot, who hails from the Australian state of Victoria.
“New Orleans is the birthplace of jazz. It really was a melting pot of different cultures… so you had all these amazing influences from different cultures and that made jazz and that hasn't changed.”
Jazz Musician Shannon Barnett, in Tall Poppies, The Podcast
“I think some young singers want to do too much too soon and it's fatal. Some of the young people I don't think realise just how tough it is.” (Joan Sutherland, 1926 -2010)
“I've never really accepted the head and heart distinction. I have always thought that it is part of our cultural heritage and doesn’t represent the real world of our feelings, or the real world of our mind,” Gail Jones
"For me the interesting musician goes beyond their own instruments and looks into the world of music - piano, chamber music or orchestral - repertoire. If this is your universe, then there is no doubt in my mind you will be the more interesting musician, simply because your whole universe is bigger. "
“For me it is just absolutely obvious that there is nothing more interesting than the human brain, that we know of in the universe.
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There are not many stage directors in the world who, in the space of six months, have directed Wagner’s “Die Meistersinger von Nürnberg,” Debussy’s “Pelléas et Mélisande” and the musical, “Fiddler on the Roof.” But that is exactly how Barrie Kosky spent the second half of 2017. What’s more, this is a typical schedule for the energetic Melburnian.
Music Selections
Title: Eine Frau, die weiß, was sie will Composer: Oscar Strauß Recording: Komische Oper Berlin 2015
Title: Pelleas et Melisande Composer: Claude Debussy Recording: Komische Oper Berlin 2017
Title: Ball im Savoy, Kangaru Composer: Paul Abraham Recording: Komische Oper Berlin 2013
There have been many highlights in Simone Young’s career. Alongside conducting most of the world’s great orchestras including the London and New York Philharmonic Orchestras, the City of Birmingham Symphony, and the BBC Symphony at the BBC Proms, she was also the first woman to conduct at the Vienna State Opera and the Vienna Philharmonic, two orchestras she regularly returns to conduct today.
Music Selections
Title: Brahms Symphonies 2,3 and 4 Composer: Brahms, Simone Young and the Hamburg Philharmonic Recording: OehmsClassics
Title: Symphony Nr 9 Composer: Bruckner, Simone Young and the Hamburg Philharmonic Recording: OehmsClassics
Title: Symphony Nr 2 Composer: Gustav Mahler Recording: Simone Young and the Hamburg Philharmonic, OehmsClassics
Title: Der Ring des Nibelungen Composer: Richard Wagner Recording: OehmsClassics
In two decades, the Brisbane-born musician Brett Dean has risen from being an orchestral violist who once wrote music on the side, to one of the world’s most celebrated composers.
Music Selections, all compositions by Brett Dean
Title:The Lost Art of Letter Writing – Violin Concerto Performers:Violin Frank Peter Zimmermann Boston Symphony Orchestra, conductor Markus Stenz
Title:Carlo (version for live chorus and strings) Performers:BBC Singers/BBC Symphony Orchestra
Title:Three Memorials for Orchestra & Between Moments (Music for Orchestra 2003) Performers:Queensland Youth Orchestra
Title:Pastoral Symphony Performers:Swedish Chamber Orchestra
Title:Hamlet Diffraction Performers:Allison Bell, soprano Allan Clayton, tenor BBC Symphony Orchestra, Conductor Joshua Weilerstein
Title:Wendezeit for five violas Performers:Brett Dean
*Many thanks to Boosey and Hawkes for their assistance in assembling this selection
iTunes
“There's no substitute for that very first moment when an idea is manifested. For me it's very important that everything's kind of born at the same moment because a song is words and music and I feel like they shouldn't be separated. That's my idea of a good creation!”
iTunes
“When I got into dance, I suddenly sort of combined this need to able to enjoy the physical challenge of encountering the world as a body along with the cognitive challenges of trying to say, well, what can I do with this body that I think is interesting or challenging.”
iTunes
“I have always tried to work out a way of coming up with a single image or analogy or a metaphor, that makes it really clear to a non-specialist, the phenomenon of hearing that piece of music”.
Music Selections
Chopin: 24 Preludes Cédric Tiberghien Chopin: 13 Preludes(from the 24 Preludes)Sviatoslav Richter Tokyo 1979 Bach JS: Prelude and Fugue No. 7 in E flat, BWV 852 – Well Tempered Clavier, Book I, Performed by Wanda Landowska, Harpsichord, 1949 Bach JS: Goldberg Variations –Harpsichord, Performed by Wanda Landowska (First Rec 1933)iTunes
Much of Peter Singer’s career has been devoted to social and political causes, most notably animal rights, but also famine and poverty relief, environmentalism and reproductive rights.
iTunes
Cathy Milliken has been an artist many young Australian musicians have looked up to when they have travelled abroad to continue their studies in Europe. A renowned oboist, composer and music educator, Cathy has held key positions with two of the world’s leading music ensembles, Ensemble Modern and the Berlin Philharmonic Orchestra.
Musical Excerpts
Title: The Yellow Shark, Frank Zappa Ensemble Modern Composer: Three Step, for horn, violin, cello (Cathy Milliken), Earth Plays I-IV Orchestral Work (Cathy Milliken) Recording: Spiral, for a soloist with a shortwave receiver, (Karlheinz Stockhausen) Trim (Cathy Milliken) Shifrorl (Cathy Milliken)
“ I mean it sounds (like a) cliché, but that was a phone call that changed my life completely,” said singer, Siobhan Stagg, recollecting the day the Berlin Philharmonic Orchestra called to ask her to perform “Brahms’s Requiem”.
Music Selections
Title: Bernstein: “Glitter and Be Gay”, from Candide (Bernstein) Deutsche Radio Philharmonie Kaiserslautern Saarbrucken, Conductor Daniel Smith (Siobhan Stagg, Soprano)
Title: “Requiem”, (Brahms) Berlin Philharmonic, Conductor Christian Thielemann (Soprano Siobhan Stagg)
In this episode we meet Heather Betts. The Sydney-born painter has been living in Berlin, apart from a few years, since 1984. Heather is a graduate of Sydney’s Fine Arts Institute, but she also studied viola at the Sydney Conservatorium of Music.
Over the next few weeks, “Tall Poppies: The Podcast,” will feature a series of 10 minute excerpts from archived interviews with renowned Australians. We are calling these, Tall Poppies Postcards. The first features the Australian poet, Robert Gray, who hails from the Australian state of New South Wales.
It was back in 2009 that I met with the Academy Award-winning animation writer, director and producer, Adam Elliot, who hails from the Australian state of Victoria.
“New Orleans is the birthplace of jazz. It really was a melting pot of different cultures… so you had all these amazing influences from different cultures and that made jazz and that hasn't changed.”
Jazz Musician Shannon Barnett, in Tall Poppies, The Podcast
“I think some young singers want to do too much too soon and it's fatal. Some of the young people I don't think realise just how tough it is.” (Joan Sutherland, 1926 -2010)
“I've never really accepted the head and heart distinction. I have always thought that it is part of our cultural heritage and doesn’t represent the real world of our feelings, or the real world of our mind,” Gail Jones
"For me the interesting musician goes beyond their own instruments and looks into the world of music - piano, chamber music or orchestral - repertoire. If this is your universe, then there is no doubt in my mind you will be the more interesting musician, simply because your whole universe is bigger. "
“For me it is just absolutely obvious that there is nothing more interesting than the human brain, that we know of in the universe.
